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Meanwhile, there was Kamensek, who made her debut commandingly with this orchestra last May in a program that featured pianist Jon Nakamatsu. Earlier this month, she completed a run at San Francisco Opera, where she conducted Carlisle Floyd’s “Susannah.” And over the weekend, here she was again at the California Theatre. While leading a stately tempo for the “Marche des pélerins” (“March of the Pilgrims”), she incited the strings to a strikingly rich and earthy performance. The remote French countryside where Berlioz spent his childhood — within sight of the Alps — somehow always lives on inside his music; Kamensek made this clear in the hearty dance that opens the “Serenade.” The “Orgie de brigands” kept acquiring momentum, climaxing with a clattering yet controlled tumult.

Billed as “An Italian Tour,” the program (which repeat Sunday) opened with Respighi’s “Ancient Airs and Dances,” Suite No, 2, from 1923, in which the composer re-imagines courtly dances of earlier centuries, Saturday, its second movement (“Danza rustica”) was ballroom connection dance shoes especially charming, Its tick-tock rhythms took on a lively swing, fed by the double basses and harpsichord, Respighi gave way to Verdi, whose “La Peregrina” (from 1867) was composed as a ballet sequence for “Don Carlos,” though it was eliminated from the opera during the composer’s revisions, Infrequently performed, it proved to be a showcase for Symphony Silicon Valley..

Concertmaster Robin Mayforth took full advantage of her solo turn, which was sturdy and sweetly lyric, too. There was a sort of “en pointe” dance for clarinet and flute that sparkled. So did a number of the orchestral tuttis, especially those featuring a full array of brass — classy playing by the section, straight down to the tuba. And this crisp, spirited performance popped like a champagne bottle at its conclusion; like a good short story writer, Kamensek understands the value of a strong ending.

The major part of the collection features abstract expressionists such as Jackson Pollock and Philip Guston and extends to contemporary artists including Ellsworth Kelly and Terry Winters, Works were collected by the Anderson family over the past 50 years, The building stands beside the Cantor Arts Center, which currently is showing “Robert Frank in America,” featuring 130 photographs from the Swiss artist’s extensive work from the 1950s, Peter Galassi, former chief curator of photography at ballroom connection dance shoes the Museum of Modern Art, has curated the Cantor show, Major themes include politics, race, religion, cars and consumer culture..

On view are works from the Cantor’s own collection, plus works loaned from Robert Frank himself as well as other sources. The collection is being shared with the public for the first time as a coherent body of work. Director Connie Wolf says, “We are delighted that the Cantor’s collection has provided the basis for a fresh look at one of the great achievements of 20th century photography.” She notes the museum also is “deeply grateful to Robert Frank, who has generously contributed to the project.”.

“Robert Frank in America” will be on view through ballroom connection dance shoes Jan, 5, The Anderson Collection is at 314 Lomita Drive at Stanford University; the Cantor is at 328 Lomita Drive, The museums are now open 11 a.m, to 5 p.m, Wednesdays through Mondays, with evening hours until 8 p.m, on Thursdays, Admission is free, Call 650-723-4177 or visit http://museum.stanford.edu, Koci, who passed away in 1983, came to prominence in the Beat Era in San Francisco, His friends described him as a working class intellectual..

He was born in 1904 in Czechoslovakia and came to America at the age of 16. After years of work including milking cows in Texas, movie extra work in Hollywood and 30 years as a merchant marine, he finally settled in San Francisco. He created a body of work of more than 1,000 paintings. In his art Koci was inspired by mankind –warts and all. His pieces are included in the permanent collections of the Smithsonian, Museum of Modern Art and Oakland Art Museum. Black, a graduate of San Jose State University, seeks inspiration in her painting from what is thrown away by society.

Karimi is a printmaker and painter as well as an artist manipulating glass and digital images, She is interested in artistically probing our relationship with and sensory responses to our evolving physical and virtual environments, All three exhibits will be on view through Nov, 30, The Peninsula Museum of Art is at 1777 California Drive, Burlingame, Hours are 11 a.m, to 5 p.m, Wednesdays through Sundays, Admission is free, Call 650-692-2101 or visit www.peninsulamuseum.org, Henri appreciates working with watercolor, especially Sumi-e paints, Faces of any age or condition are a favorite subject, She ballroom connection dance shoes would like the viewer to see “someone they might know” in her work, perhaps a “favorite uncle, a worried lover, a trouble coworker looking for relief.”..