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First-Person Shooter: A play about the proprietors of a successful Silicon Valley video game company, who are under siege in the media and court of public opinion after the perpetrator of a racially charged school shooting identifies their game as inspiration for his shooting rampage. Through Nov. 23. Lohman Theater, Foothill College, 12345 El Monte Road, Los Altos Hills. $10-$18; parking $3. foothill.edu/theatre/tickets, 650-949-7360. Salvation Army Benefit Concert: Pianist Heidi Hau plays a benefit concert for the Sunnyvale-Mt. View Salvation Army Auxiliary. Nov. 7, 7:30 p.m. Los Altos United Methodist Church, 655 Magdalena Ave., Los Altos. Reception to follow. $10-$20 at the door.
A capezio ballet shoes Chorus Line: Sunnyvale Community Players present the much-lauded musical, Through Nov, 16, Sunnyvale Theater, Sunnyvale Community Center, 550 E, Remington Drive, Sunnyvale, $11-$27, sunnyvaleplayers.org, 408-733-6611, Palo Alto Philharmonic: Program for the Fall Chamber Music Concert includes works for instrumental groups and voice by Stravinsky, Mozart, Beethoven, Ligeti and Fauré, Nov, 8, 8 p.m, First Baptist Church, 305 N, California Ave., Palo Alto, $10-$22, paphil.org, Cupertino Morningmasters: Improve your speaking and networking skills at this Toastmasters club, Thursdays, 7:30 a.m, Bethel Lutheran Church, 10181 Finch Ave., Cupertino..
As with most enduring stories, parables and myths, there is a firmly imbedded moral lesson. The Cinderella story, especially revered by young women, is that although beauty is indeed very desirable, it counts for little if it is not accompanied by goodness and virtue. The French writer Charles Perrault set it into memorable literary form as “Cendrillon” in 1697. The German Brothers Grimm included it in their fairy tale volumes as “Aschenputtel” in the mid-19th century. The Russians cast the virtuous heroine as “Solushka,” which was in turn transformed by Sergei Prokofiev into a beloved ballet premiered by the Bolshoi in 1944.
It was Italian composer Gioachino Rossini who, in 1817, set the tale into the Italian “La Cenerentola,” a work that has become a staple in the operatic repertoire, San Francisco Opera is preparing six performances of this enchanting work, opening at 2 p.m, Nov, 9 at War Memorial Opera House, Subsequent performances will be at 7:30 p.m, capezio ballet shoes Nov, 13, 18, 21 and at 2 p.m, Nov, 26, Making her San Francisco Opera debut in the role of Cinderella (“Angelina” in Rossini’s version) is French-born mezzo-soprano Karine Deshayes, recently praised by the New York Times for her “emotional depth and vibrant, beautiful sound.” Her princely husband-to-be will be sung by tenor Rene Barbera, and his valet and co-conspirator, Dandini, will be sung by Efrain Solis..
Don Magnifico, Cinderella’s villainous father, will be sung by bass Carlos Chausson, and the prince’s cannily wise tutor by Christian Van Horn. The two wicked sisters, Clorinda and Thisbe, will be sung by Maria Valdes and Zanda Svede, respectively. Jesus Lopez-Cobos will conduct the lovely Jean-Pierre Ponnelle production, and Gregory Fortner will direct. Tickets, $35 to $323, are at 415-364-3330 and www.sfopera.com. The next concert Composers Inc. is sponsoring is called “New Chamber Music in This Place.” It will be presented at the acoustically appealing First Congregational Church, 2345 Channing Way in Berkeley, at 8 p.m. Nov. 11. The concert will include a Piano Sonata by Leslie La Barre; “The Owl Sings at Noon” for bassoon and piano by John B. Hedges; “In This Place” for violin, clarinet, and piano by Frank La Rocca; Dave Waugh’s “Axial Breakthrough” for alto saxophone and piano; and Chris Arrell’s “Of Three Minds,” a work that was awarded the Suzanne & Lee Ettelson Composer’s Award.
These days, hip-hop dance has secured a spot on the proscenium, and no one has done more to elevate the art form than Micaya, the founder and director of the San Francisco International Hip Hop DanceFest, Rather than luring dancers with a high-stakes contest, she took curatorial responsibility for presenting a stylistically diverse and increasingly international array of companies while shining a spotlight on the Bay Area’s rapidly capezio ballet shoes evolving scene, Marking its 16th season, the festival returns to the Palace of Fine Arts Theatre on Nov, 14-16 with two different programs encompassing 17 disparate companies..
“I just thought that presenting hip-hop in a theatrical setting would be so crazy cool,” says Micaya, who goes by the one name. “The audience would sit down like in the ballet, and the dancers would have actual dressing rooms, not some closets in the back of a club. Maybe we’d even get reviewed by the press.”. A beloved Mission district dance teacher and choreographer, Micaya had earned tremendous respect in the dance community by producing an annual showcase for local performers before she launched the San Francisco International Hip Hop DanceFest in 1999. (She still presents the local showcase, Mission in the Mix, every June.).
Krystal Meraz, director and choreographer for Academy of Villains, with her fiancé Christopher “Pharside” Jennings, says that the lack of a competitive aspect sets the event apart, Not that the company has shied away from challenges, In 2012, the Academy of Villains were the U.S, champions at the World Hip capezio ballet shoes Hop Dance Championship, the same year they made the semifinals on “America’s Got Talent.” Earlier this year they competed live on the popular Fox show “So You Think You Can Dance.”..