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The season-opener of the community theater company’s 55th season is the Bay Area premiere of a new musical based on the dark humor of New Yorker cartoonist Charles Addams. “‘The Addams Family’ presents the characters as envisioned by their creator, rather than their film and television incarnations,” notes CCCT of the Tony and Drama Desk award nominated play (book by Marshall Brickman and Rick Elice, music and lyrics by Andrew Lippa). The cast, directed and choreographed by Alex Perez, includes Mark Enea as Gomez and Molly Daniels as Morticia, with Tosca Maltzman as Wednesday, Jonah Rotenberg as Pugsley, Sandi Weldon as Grandma, Ron Pickett as Uncle Fester, and Greg Lynch as Lurch. Rounding out the performers are Lewis Rawlinson, Tom Curtin, Allison Meneley, Ashley Adams, Trisha Ayllon, Isabella Khoury, Sam Machado, Melody Perera, Daniel Quezada, and CC Sheldon.

Performances are at 8 p.m, Fridays and Saturdays, and 2 p.m, Sundays through Oct, 19 at the theater, 951 Pomona Ave, in El Cerrito, For tickets or more details call 510-524-9132 or visit www.ccct.org, There will also be food booths and trucks, a beer and wine garden, an outdoor marketplace, a Kids Zone and more, Details: www.richmnodmainstreet.org or 510-236-4049, Details: www.downtownberkeleymusicfest.org, Bring your lawn chair to kick back and listen to blues by full sole ballet shoes vs split sole featured performers Fillmore Slim and Nat Bolden..

Details: 510-233-0777. The gourmet barbecue is hosted by the Port Costa Conservation Society and event proceeds benefit the ongoing restoration of the 102-year-old school at 1 Plaza Del Hambre in Port Costa. Details: www.Facebook.com/portcosta. The day starts with the morning parade, followed by a day of walking the Dam Road to take in music, food, the classic car show, crafts, vendor and community booths, children’s activities and the always popular bicycle stunt show outside The Pedaler.

Indeed Cal Shakes full sole ballet shoes vs split sole is celebrating its 40th anniversary by revisiting the first play it ever produced, “A Midsummer Night’s Dream,” with such an audacious blast of inventiveness it’s as if it’s an entirely new play, Shana Cooper’s strange and beautiful production is shot through with surreal images, evocative moments and keen insights into the volatile nature of love, “Dream” is so popular and so beloved that the fairy tale often loses its edge, Directors usually overstuff the fable with glitter and fluff, from cherubs to special effects, But Cooper (who directed “Romeo and Juliet” last year) cleverly throws all that gossamer preciousness out the window, This enchanted forest is a dark and dangerous netherworld, a stark tableau of wood, dirt and tulle buffeted by the wind, Nina Ball’s set grounds the play in a sort of primal fantasy where all the characters must expose their most elemental selves..

Certainly the fairies that rule here are far from childlike. Erika Chong Shuch’s Titania is a wild and untamed creature of the night, twisting and cavorting through the air as if she had wings. Shuch’s hypnotic movement is at the heart of this giddy and memorable “Dream.”. From Titania’s aerial ballets to Hermia (Tristan Cunningham) and Helena (Lauren English) rolling around on the ground with limbs akimbo, this is a universe caught in the perpetual motion of the dream.

One of the smartest aspects of the production is its embrace of conflict, The lovers carom from ecstasy to despair with such aching clarity that the dark side of romance is reveled in with as much passion as the bliss, Here we feel the sting of Hermia’s rejection by her stern father (James Carpenter) and the throbbing wound of Helena’s unrequited love for Demetrius (Nicholas Pelczar), English radiates vulnerability as the put-upon Helena, who must weather the slings full sole ballet shoes vs split sole and arrows of outrageous fondness when she follows bosom chum Hermia and beau Lysander (Dan Clegg) into the forest one night under a wickedly inconstant moon..

The mortals soon fall sway under the power of the fairy queen Titania (the ethereal Shuch) and Oberon (a formidable Daisuke Tsuji), her warring king. By turns besotted and disgusted with each other, the feuding lovers soon embroil all of Athens in their fray. Shuch and Tsuji are double cast as Duke Theseus and his betrothed Hippolyta, who are still wrestling with their feelings for each other, which deepens the sense of mystery at the core of the work. Even the rude mechanicals, the laborers who put on a play for the duke’s wedding, are drawn into the spirit of the chaos. For the record, this is quite possibly the funniest rendering of the play-within-a-play sequence ever, framed by exquisite turns from some of the region’s finest actors, including Carpenter as the Starveling, Margo Hall as the braying narcissist Bottom, Liam Vincent as the exasperated Peter Quince and Danny Scheie (who also makes a sprightly Puck) as the meek Snug the joiner. The shtick with the hole in the wall is so over the top it’s upside down.

An Alameda County jury in July full sole ballet shoes vs split sole convicted Jamaal Prince, 36, of first-degree murder for the Dec, 28, 2012, knife attack on Laney College and ballet student Jennifer “Jessica” Kingeter, Prince was on parole for attacking his mother Jacqueline Stewart in 2010 when the killing occurred in the East Oakland apartment his ex-girlfriend and their son called home, There were several outbursts in Judge Jon Rolefson’s courtroom Friday after the judge refused a late request from a Prince supporter to read a letter from Stewart out loud, just like the letters from Kingeter’s parents, Stewart regularly attended the trial but was not present for the sentencing..