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Ten? Really, just 10?. More scripted television than ever was produced in 2017 — and a substantial chunk of it was marvelous. That makes cutting the crop down to just 10 worthy standouts close to impossible. But we weren’t about to wimp out and duck the challenge. In order to ease the pain just slightly, we limited our selections to episodic scripted series — so documentaries, movies and reality shows are out. Here, then, are the Top 10 TV shows of 2017. 1. “Big Little Lies” (HBO): Some critics were quick to dismiss this sensational miniseries starring Reese Witherspoon, Nicole Kidman, and Shailene Woodley as a glossy guilty pleasure. And, yes, it was oh so pretty to look at — with its hypnotic Monterey scenery and glamorous seaside dream homes.
But David E, Kelley’s adaptation of Liane Moriarty’s subversive page-turner offered more than just soapy thrills, “Big Little Lies” was a social satire pegged to a tantalizing murder mystery — with a killer hook, And as it deftly swiveled between pointe shoe finder sly humor and sinister intrigue, it delivered provocative examinations of class divisions, fractured families, parental attitudes, grade-school bullying and domestic abuse, At its heart was stellar work by a high-caliber cast, Everyone brought their “A” game, but give bonus points to Kidman, who delivered a quiet storm of a performance as a battered wife entangled in a complicated marriage..
2. “Better Things” (FX): Pamela Adlon is my TV hero — a 50-something Hollywood wonder woman of sorts. Not only does she star in this gem of a show that became even greater in Season 2, she directed every episode and co-wrote most of them (with the now-exiled Louis C.K.). Blessed with shrewd observational skills, Adlon continued to find the humor — and poignancy — in the story of a single, stressed-out mom struggling to raise, and relate to, three strong-willed daughters. 3. “The Leftovers” (HBO): Season 1 of this surreal post-Rapture drama left me cold. But by its third and final go-around, I was hooked. With supremely imaginative storytelling, it coaxed viewers into serious meaning-of-life contemplation, but also delivered its share of offbeat hilarity. And by the end of its astonishing departure, it left us with something even better: a life-affirming reminder that the best way to cope with suffering and loss is to lean on the loved ones who are still here.
4, “The Handmaid’s Tale” (Hulu): This intensely chilling adaptation of Margaret Atwood’s dystopian thriller struck a nerve in a year of political tension and fear, Elisabeth Moss was mesmerizing as Offred, a woman who has been turned into a baby-making slave by the rulers of Gilead, a totalitarian society, She placed us inside Offred’s pointe shoe finder skin and skillfully conveyed the horror her life has become, Emmys all around, 5, “Mindhunter” (Netflix): At first, a moody drama about FBI agents studying serial killers sounded like a derivative turnoff, But “Mindhunter” shook up the genre by taking us back to 1979, when detectives pioneering in behavioral science (Jonathan Groff and Holt McCallany) work to get into the heads of human monsters via prison interviews, Their struggles — and creepy subjects — made for fascinating viewing..
6. “Feud: Bette and Joan” (FX): I’m a sucker for tales of old Hollywood and this rollicking clash of Tinsel Town titans didn’t disappoint. Susan Sarandon and Jessica Lange went easy on the impersonations while delivering marvelous portrayals of golden-age movie queens Bette Davis and Joan Crawford. And though their diva smackdowns were laughable, the saga also carried a tinge of sadness as it exposed the ageism and misogyny they endured in the twilight of their careers. 7. “Game of Thrones” (HBO): Yes, Season 7 of this epic fantasy had some obvious flaws, including problems with pacing and plot holes you could fly a dragon through. But it also was brimming with plenty of intense action and rousing spectacle, along with meet-ups that we’ve waited forever to see. As it set the stage for a highly anticipated conclusion, “Thrones” remained must-see event TV.
8, “The Good Place” (NBC): What the fork? That stunning, out-of-nowhere twist at the end of Season 1 made for one tough act to follow, Still, this weird pointe shoe finder and pun-tastic afterlife comedy continues to provide surprising payoffs as it gleefully rejects the tropes of the standard sitcom, It helps that all the clever lines — and lessons in morality — are delivered by a standout cast led by Kristen Bell and Ted Danson, 9, “Crazy Ex-Girlfriend” (The CW): This aggressively wacky musical comedy grew much darker in Season 3 as..
the woefully flawed Rebecca Bunch (Rachel Bloom) confronted her mental-health issues at last. That doesn’t mean, however, that the show isn’t still crazy-good fun. Somehow, it continues to sing and dance its way into our hearts. 10. “The Deuce” (HBO: It’s unlikely that David Simon will ever replicate his success with “The Wire,” one of TV’s most hallowed shows. But this compelling series about the birth of pornography in America is a highly commendable effort. Maggie Gyllenhaal shined as a pimp-less prostitute and we got two James Francos for the price of one (he plays twins).
Christian Bale made a Western prior to his new film “Hostiles.” That was the 2007 remake of “3:10 to Yuma,” and he has ridden horses in a number of films, He’s been riding, in fact, since age 11, when a neighbor in Portugal let him take her steeds down to the beach, “So I’m very comfortable on horses, although my technique might be questionable,” says the 43-year-old English actor with a grin, What Bale liked about “Hostiles,” which opens in the Bay Area Jan, 5, was that there’s no comfort to it, pointe shoe finder Set in 1892, the film — scripted and directed by Scott Cooper, who previously put Bale through numerous rigors in the 2013 rural crime drama “Out of the Furnace” — digs deep into the emotional as well as physical damage wrought by the winning of the just-about-closed frontier..