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Born Declan Patrick MacManus, Costello grew up in London. His father, Ross MacManus, “was a bebop trumpet player before he became a dance band singer,” says Costello. “Like a lot of people, he couldn’t make a living playing the music he loved. But he became a singer, and he had a fairly successful career in the dance hall and on the radio. So that exposed me to a lot of music that my pocket full of change couldn’t buy.”. Ross MacManus even sang some of Bacharach’s songs. You can draw the connection, Costello says.

His mother, Lilian, a jazz fan, worked in a record shop and sold “smuggled copies” — brought to her by a merchant seaman friend — of albums by American bebop pianist Lennie Tristano, Some featured saxophonist Lee Konitz — who recorded a gorgeously pared down, dry martini solo on Costello’s “Someone Took the Words Away,” a love song on his 2003 album “North.”, At the recording session, he asked Konitz to sign the song’s lead sheet for his mother: “He wrote, ‘Lilian, Thank you, Lee.’ Ever economical! It was red shoe dance contact a lovely connection.”..

The point is that by the time Costello released his album “Imperial Bedroom” in 1983, some of his fans may have been surprised by his seemingly new fascination with classic popular song-craft — the craftsmanship of Cole Porter, say, or Rodgers and Hart. But Costello knew that his fascination was deep-seated. (He had even recorded “My Funny Valentine” as the B-side of a single in 1978.). He still didn’t know how to notate music. But by the time of his 1993 collaboration with the Brodsky Quartet — the British string quartet with which he recorded “The Juliet Letters” — that was changing. A composer named Michael McGlynn helped push him through his mental block, and Costello, within six months, was writing out full-part arrangements.

Mozart “touched his heart” and still does: “How did he write those tunes? Because at some level, that’s what they are, tunes.”, In recent years, Costello has sung his own tunes with full symphonic backing in major concert halls, often using his own arrangements for 50 or more musicians, When he joins Tilson Thomas on stage this weekend, he will be adding to this history, “You’ve got to press on for the beauty,” he says, “I’ve stood in front of some of the best orchestras in red shoe dance contact the world, including the San Francisco Symphony, and I know what it feels like to be inside that body of sound, I wouldn’t trade that experience for anything…, So this is another one of those magical things, It’s a magical experience, Let’s do it right.”..

Curator Karen Druker notes the talk will give audience members the opportunity to ask specific questions on how Karlak makes her photographs look like paintings. Karlak thinks of herself as an artist first and then a photographer. She appreciates the creativity that digital photography offers her. Using bold, bright colors, she says she focuses on the details of her subject, “from tiny wildflowers to architectural designs.”. The Saratoga resident takes her camera wherever she goes, finding inspiration at state and regional parks, the Napa-Sonoma wine region, Lake Tahoe, the Big Sur coast and more. She enjoys travel and has captured views throughout the U.S. and in Europe, Africa and Central America.

Los Altos Hills Town red shoe dance contact Hall is at 26379 Fremont Road, Los Altos Hills, Call 650-941-7222, Milliner Wayne Wichern is one of the artists in the exhibit, His medium is hat making — millinery, which he also teaches in his studio at the Peninsula Art Institute (PAI) and in Seattle, Washington, as well, Wichern has shown his work in shows at numerous galleries across the U.S, He also has created theatrical millinery for Seattle Repertory Theater, the Oregon Shakespeare Festival and San Francisco Ballet, among other performing groups..

The PAI exhibit also includes works by 16 other artists, among them Eunice Chan, Abbas Orumchian, Michael Kesselman and Nancy Woods. The gallery is at 1777 California Drive, Burlingame. Hours are 11 a.m. to 5 p.m. Wednesdays through Fridays. Call 650-692-2101 or go to www.peninsulaartinstitute.org. Pryor’s paintings center on the existence and then loss of victims of repression in Argentina and other countries. In her works she starts with the image of Betina Tarnopolsky, a 15-year-old who was taken away in the middle of the night from her grandmother’s home and has never been seen again. Her parents, one brother and his wife also “disappeared.”.

Pryor earned her MFA from the San Francisco Art Institute, She has shown her work in red shoe dance contact Argentina and the United States, A free Artist’s Talk will be given by Pryor at 2 p.m, Jan, 25, “Story of the Defeated” was curated by Jerry Ross Barrish, All three exhibits will be on view through Feb, 15, The Sanchez Art Center is at 1220 Linda Mar Blvd., Pacifica, Hours are 1 to 5 p.m, Fridays through Sundays, Call 650-355-1894 or go to www.sanchezartcenter.org, Alinder is the author of the book “Group f.64: Edward Weston, Ansel Adams, Imogen Cunningham, and the Community of Artists Who Revolutionized American Photography.”..