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Joe Goode knows that relentless change is baked into San Francisco’s civic DNA. Rather than pining for the good old days, the inveterately creative dance theater innovator wants to explore what we’re losing in the ongoing boom, how we persist in the face of tectonic economic forces, and what’s worth hanging onto. His new site-specific work “Still Standing” turns San Francisco’s historic Haas-Lilienthal House into an immersive environment where various narratives unfold, stories evoked via his finely-honed mélange of music, movement, drama, and audience interaction.
The key to creating the piece, which runs from July 12-Aug, 5, was finding the right location, “I wasn’t thinking of a historical house, but I wanted to make a piece with many rooms, many chambers, where we could create ultimate dance shoes triple buckle these individualized experiences,” Goode says, “That was the original idea, I looked at office buildings, and cubicles weren’t very inspiring, Warehouses are so open and would mean doing a lot of construction, I wanted something that already existed.”, A member of the Joe Goode Performance Group’s board suggested he check out the Haas-Lilienthal House, which reopened in February after a $4.3-million renovation, It turned out that the stately gray mansion bordering Pacific Heights on Franklin Street had its own stories to tell, Built by German Jewish immigrants in 1886, the classic Queen Anne structure survived the 1906 Earthquake and devastating fire that followed, serving as home to one of the Bay Area’s foundational philanthropic families until 1973..
“When I first looked at it, an old Pacific Heights mansion, I thought it would be sort of grand and cold and austere, but the house isn’t like that at all,” Goode says. “It’s a very domestic space. The rooms are small and you have a sense of people who lived there. It was an upper-middle-class home for a merchant family, a very domestic space. I felt if they’ll let us come in here and dance around and do what we do, this would be ideal.”. Designed by Peter R. Schmidt for William and Bertha Haas, the Haas-Lilienthal House speaks of an era when San Francisco’s Gilded Age fortunes fed the region’s rapidly cohering civic culture. The extended Haas/Hellman clan left their mark across the state, contributing to the commonweal from UC Berkeley’s Haas School of Business and Stern Grove to Golden Gate Park’s Steinhart Aquarium and eventually Hardly Strictly Bluegrass. In the midst of another era of rapidly increasing economic inequality, “Still Standing” draws on stories from the performers and Goode, who was inspired by the community-building Jewish ethos known as tikkun olam (to repair the world).
“Like many people I’ve been mourning the loss of the San Francisco that I knew, an alternative-thinking bohemian place for radical thinkers and change makers,” he says, “I really wanted to take lessons from the history of the house, What are we doing to make our community better? How are we teaching that to our children? San Francisco was the original multicultural city, and these early Jewish settlers came and prospered and said, I’m going to build a hospital, a library, a museum, ultimate dance shoes triple buckle Ultimately, what happens here is up to us.”..
Presented in partnership with SF Heritage, a group dedicated to preserving San Francisco’s architectural and cultural identity, “Still Standing” features an original score by Ben Juodvalkis. Even more than most Joe Goode Performance Group productions “Still Standing” is laced with music. “There are quite a few different styles, from a kind of blues to a kind of raw, edgy punk to very lyrical and beautiful songs,” Goode says. “I had a lot of fun stretching us. Some of the dancers and performers are awesome singers.
He also wanted to use “Still Standing” as a vehicle to showcase local artists, During the run several Bay Area singer/songwriters will ultimate dance shoes triple buckle be giving post-performance Thursday concerts in the Haas-Lilienthal House’s ballroom, starting with Tassiana Willis on July 12 and 19, Shawna Virago plays July 26, and Juodvalkis closes the concert component on Aug, 2, Ultimately, the structure itself is a major character in the work, Goode enlisted a cast of 17 to use “every inch of the house,” he says, “There are at least that many spaces I need to activate, We transform some of them into something that you’re not expecting, and some we use as what they are, the kitchen and back stars, The viewer can choose to be gently guided or wander where they will.”..
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