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In her final years, Barbara Bush lived in the home she and her husband built in Houston and largely stayed out of the spotlight. In 2009, she sat for an interview with Fox News on the occasion of the 20th anniversary of the George Bush Presidential Library in College Station, Texas. “Well, it was a wonderful life that he’s had and I’ve shared,” Mrs. Bush said wistfully, recalling her time with her husband in Washington and China and even the car that first took them to West Texas. “We’ve had a great life.”.
There’s a wide range — and we mean wide! — of concert choices for Bay Area music fans this week, Here are our top picks, including Nile Rodgers & Chic, Judas Priest and Fleet Foxes, Nile Rodgers & Chic: Head on over to the Fox Theater in Oakland on April 19 wide width ballet flats to hear these disco/rock/funk champs unleash such ‘70s classics as “Good times,” “Dance, Dance, Dance (Yowsah, Yowsah, Yowsah),” “Everybody Dance” and, of course, “Le Freak.” The English Beat opens the gig, making this, without question, the best doubleheader of the month, It will be great to hear Dave Wakeling and company rock through such favorites as “Mirror in the Bathroom,” “Save It for Later” and “I Confess.” Details: 8 p.m.; $55-$75, www.ticketmaster.com..
Judas Priest: The heavy metal legends are out on the road in support of their first new album in four years, “Firepower,” and perform April 19 at the Warfield in San Francisco. Saxon and Black Star Riders are also on the bill. Details: 7 p.m.; $69.50-$95, www.axs.com. Fleet Foxes: The Seattle indie-folk band supports last year’s “Crack-Up” — the long-awaited follow-up to 2011’s “Helplessness Blues” — on April 20 at the Greek Theatre in Berkeley. Amen Dunes opens the show. Details: 8 p.m.; $49.50, www.ticketmaster.com.
Lukas Nelson & Promise of the Real: These acclaimed rockers return to the Bay Area for a two-night stand — April 23-24 — at the Great American Music Hall in San Francisco, Tyler Childers and Lillie Mae also appear. Details: 8 p.m.; $23-$25, www.slimspresents.com, Enrique Bunbury: The great rock en espanol star supports his latest chart-topper, “Expectativas,” on April 24 wide width ballet flats at The Masonic in San Francisco. Details: 8 p.m.; $45-$125, www.livenation.com, Kristen Strom: The saxophonist performs two shows, featuring music from Joe Henderson’s 1993 release “So Near, So Far,” on April 21 at the SFJazz Center in San Francisco. Details: 7:30 and 9 p.m.; $20, www.sfjazz.org..
The Bay Area debut of the West-Eastern Divan Orchestra under Daniel Barenboim; the world premiere of the oratorio “Dreamer” by composer Jimmy López and librettist Nilo Cruz, inspired by undocumented youth and performed by Esa-Pekka Salonen and the Philharmonia Orchestra, London; and “The Barber Shop Chronicles,” a theater work exploring black male identity, are among the highlights of Cal Performances 2018-19 season. Also on the schedule are appearances by Yo-Yo Ma, playing the complete Bach cello suites; a tribute to Duke Ellington featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis; and the first Bay Area performances of “Pepperland,” the Mark Morris Dance Group’s tribute to the 50th anniversary of “Sgt. Pepper’s Lonely Hearts Club Band.”.
Announced April 17 by Cal Performances’ executive and artistic director Matías wide width ballet flats Tarnopolsky, the season opens Sept, 23 with a Gala at the Greek Theatre featuring Marsalis, special guest Jon Batiste and the Jazz at Lincoln Center Orchestra, and concludes June 2, 2019, with a new “Pygmalion” by Eifman Ballet, In between, the season offers dozens of international music, dance, and theater events, The season — the final programmed by Tarnopolsky, who has announced he will leave Cal Performances at the end of the 2017-18 season for a new executive post with the Philadelphia Orchestra — introduces two new categories under the company’s Berkeley RADICAL initiative, “Citizenship” brings artists addressing issues of identity and home, while “Women’s Work” highlights women’s voices in a range of disciplines..
Under the “Citizenship” umbrella are Barenboim and his orchestra, whose members include Israeli, Palestinian and other Arab musicians; “Dreamer,” the oratorio by López and Cruz, featuring soprano Ana Maria Martinez; and the great Catalan gambist Jordi Savall, tracing “The Routes of Slavery,” a musical journey featuring musicians from 15 countries on three continents. “Women’s Work” brings “Queen of Ranchera” Aida Cuevas with Mariachi Juvenil Tecalitlán; “Mouthpiece,” from Toronto’s Quote Unquote Collective; and Berlin choreographer Sasha Waltz’s “Körper (Bodies),” a work exploring how medicine, commerce, politics and reproduction make demands on the body.
The season’s music events include appearances by Max Richter with the American Contemporary Music Ensemble, the Tallis Scholars, So Percussion, the Bay Area premiere of Orlando di Lasso’s “Tears of Saint Peter” in a new staging by Peter Sellars performed by the Los Angeles Master Chorale, and recitals by violinist Nicola Benedetti, pianist Shai Wosner, mezzo-soprano Joyce DiDonato and cellist Alisa Weilerstein, In addition to Morris’ “Pepperland,” the dance season includes appearances by Compagnie Käfig, Pavel Zuštiak and Palissimo, Hubbard Street Dance Chicago, Akram Khan and the Alvin Ailey American Dance Theater, Theater events include Ibsen’s “An Enemy of the People, performed by Berlin’s Schaubühne Theater; and “17c,” Annie wide width ballet flats B-Parson’s take on the diaries of Samuel Pepys..